I know that it’s generally a bad idea to judge a book by its cover but when the cover for The Never Tilting World was dropped in Shealea’s blog, I knew right then and there that I had to get my hands on it the moment it was published. Lucky for me, I’ve had the incredible honor of partaking in a major perk of being an active book nerd in this little community: blog tours! That’s right, somehow I was able to get my hands on an eARC of The Never Tilting World and fangirl about it months earlier than I expected.
Here’s an abridged version of my experience reading The Never Tilting World: breath: stolen jaw: on the floor heart: full hotel: trivago (I couldn’t resist)
Fiction is a powerful escape from the humdrum of reality. Naturally, readers are expected to suspend their disbelief if they wish to maximize the reading experience. When readers enter a story, they have an unspoken agreement with the book: I’ll accept the book’s version of reality as long as the book itself provides a reality that’s believable and consistent enough to get behind. Simple.
But there’s a catch. Even though it is fiction, stories should do the heavy lifting when it comes to suspending disbelief. Readers can’t and shouldn’t be expected to suspend all of their disbelief because then they’d just be a passive observer of the story’s events, barely critical of the characters, hardly conscious of what the story is trying to tell.
Fictional stories may not be real but that doesn’t mean that there shouldn’t be any realistic elements in them. The best stories are grounded in a conceivable perception of reality which is why readers can easily get lost in those worlds – at some level, the fictional world feels solid enough that readers don’t need to stretch to imagine themselves in that reality. You can accept that a secret world of witches and wizards coexist with ours and that only a little orphan boy can save that magical world from crumbling. You can buy a young Texan girl trapped inside her house is blown away into a weird and colorful world with talking lions and heartless tin men. You can even believe that a small island kingdom can have triplet queens born every generation and that they must fight to the death for the crown on their 16th birthday. All of those fantastical concepts are fine on their own and don’t really need to provide an in depth lore to explain each and every how and why.
However, when a book only spews concepts and ideas without the least bit effort in the building of a logical reality… well, readers can suspend their disbelief only for so long.